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C.H. Spurgeons's The Treasury of David

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Chapter 118
Verse 2
Chapter 120

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At length I am able to present to the Christian public another part of "The Treasury of David." It has demanded longer labour than its predecessors, but that labour has been freely given to it; and to the utmost of my ability I have kept the volume up to the level of those which have gone before. In the production of this exposition I had far rather be long than lax; for I know by experience the disappointment which comes to readers when, after a promising beginning, they see a serious declension towards the end. The general acceptance given to this Commentary has placed me under a heavy obligation to do my best even to the end. Towards that end I am still proceeding with all possible diligence, and it is with great pleasure that I look forward to the speedy issue of the seventh and last volume of the work. Many labours distract me from this favourite employment, but I hope to press on with more speed than of late, if my life be spared. It would be imprudent to make too sure of that, for the most fragile Venice glass is not more brittle than human life:

"The spider's most attenuated thread
Is cord, is cable, to the tender film
Which holds our soul in life."

I have been all the longer over this portion of my task because I have been bewildered in the expanse of the One Hundred and Nineteenth Psalm, which makes up the bulk of this volume. Its dimensions and its depth alike overcame me. It spread itself out before me like a vast, rolling prairie, to which I could see no bound, and this alone created a feeling of dismay. Its expanse was unbroken by a bluff or headland, and hence it threatened a monotonous task, although the fear has not been realized. This marvellous poem seemed to me a great sea of holy teaching, moving, in its many verses, wave upon wave; altogether without an island of special and remarkable statement to break it up. I confess I hesitated to launch upon it. Other psalms have been mere lakes, but this is the main ocean. It is a continent of sacred thought, every inch of which is fertile as the garden of the Lord: it is an amazing level of abundance, a mighty stretch of harvest fields. I have now crossed the great plain for myself, but not without persevering, and, I will add, pleasurable, toil. Several great authors have traversed this region and left their tracks behind them, and so far the journey has been all the easier for me; but yet to me and to my helpers it has been no mean feat of patient authorship and research. This great Psalm is a book in itself: instead of being one among many psalms, it is worthy to be set forth by itself as a poem of surpassing excellence. Those who have never studied it may pronounce it commonplace, and complain of its repetitions; but to the thoughtful student it is like the great deep, full, so as never to be measured; and varied, so as never to weary the eye. Its depth is as great as its length; it is mystery, not set forth as mystery, but concealed beneath the simplest statements; may I say that it is experience allowed to prattle, to preach, to praise, and to pray like a child prophet in his own father's house?

My venerable friend, Mr. Rogers, has been spared to help me with his admirable suggestions; but Mr. Gibson, who so industriously translated from the Latin authors, has fallen asleep, leaving behind him copious notes upon the rest of the psalms. Aid in the homiletical department has been given me by several of the ministers who were educated at the Pastors' College, and their names are duly appended to the hints and skeletons which they have supplied. In this department the present volume is believed to be superior to the former ones. May it prove to be really useful to my brethren, and my desire is fulfilled. I know so well the use of a homiletic hint when the mind is in search for a subject that I have felt peculiar pleasure in supplying my readers with a full measure of such helps.

In hunting up rare authors, and making extracts from them, Mr. Keys has rendered me great assistance, and I am also a debtor to others who have cheerfully rendered me service when I have sought it. Burdened with the care of many institutions, and the oversight of a singularly large church, I cannot do such justice to my theme as I could wish. Learned leisure would be far more accurate than my busy pen can ever hope to be. If I had nothing else to think of, I would have thought of nothing else, and undivided energies could have accomplished what spare strength can never perform. Hence, I am glad of help; so glad, that I am happy to acknowledge it. Not in this thing only, but in all other labours, I owe in the first place all to God, and secondarily, very, very much to those generous friends who find a delight in making my efforts successful.

Above all, I trust that the Holy Spirit has been with me in writing and compiling these volumes, and therefore I expect that he will bless them both to the conversion of the unrenewed and to the edification of believers. The writing of this book has been a means of grace to my own heart; I have enjoyed for myself what I have prepared for my readers. The Book of Psalms has been a royal banquet to me, and in feasting upon its contents I have seemed to eat angels' food. It is no wonder that old writers should call it, -- the school of patience, the soul's soliloquies, the little Bible, the anatomy of conscience, the rose garden, the pearl island, and the like. It is the Paradise of devotion, the Holy Land of poesy, the heart of Scripture, the map of experience, and the tongue of saints. It is the spokesman of feelings which else had found no utterance. Does it not say just what we wished to say? Are not its prayers and praises exactly such as our hearts delight in? No man needs better company than the Psalms; therein he may read and commune with friends human and divine; friends who know the heart of man towards God, and the heart of God towards man; friends who perfectly sympathize with us and our sorrows, friends who never betray or forsake. Oh, to be shut up in a cave with David, with no other occupation but to hear him sing, and to sing with him! Well might a Christian monarch lay aside his crown for such enjoyment, and a believing pauper find a crown in such felicity.

It is to be feared that the Psalms are by no means so prized as in earlier ages of the Church. Time was when the Psalms were not only rehearsed in all the churches from day to day, but they were so universally sung that the common people knew them, even if they did not know the letters in which they were written. Time was when bishops would ordain no man to the ministry unless he knew "David" from end to end, and could repeat each psalm correctly; even Councils of the Church have decreed that none should hold ecclesiastical office unless they knew the whole psalter by heart. Other practices of those ages had better be forgotten, but to this memory accords an honourable record. Then, as Jerome tells us, the labourer, while he held the plough, sang Hallelujah; the tired reaper refreshed himself with the psalms, and the vinedresser, while trimming the vines with his curved hook, sang something of David. He tells us that in his part of the world, psalms were the Christian's ballads; could they have had better? They were the love songs of the people of God; could any others be so pure and heavenly? These sacred hymns express all modes of holy feeling; they are fit both for childhood and old age: they furnish maxims for the entrance of life, and serve as watchwords at the gates of death. The battle of life, the repose of the Sabbath, the ward of the hospital, the guest chamber of the mansion, the church, the oratory, yea, even heaven itself may be entered with psalms.

My next portion will continue the Pilgrim Psalms, of which we have five in the present volume. I have been sorry to make a break in these golden steps. I would rather have presented the glittering ascent as a whole, that all might see at a glance "the stairs of the City of David at the ascent of the wall;" but as the books must divide somewhere, and there was no more convenient place, I have been compelled to separate these Songs of the Steps, or "Songs on the high key", as Luther calls them. It was impossible to cut the great psalm in two, and it is a far less evil to separate the members of a group. I hope the arrangement will not cause serious inconvenience to anyone; nor prevent the student's meditating upon each Song of Degrees, not only as it sparkles as a separate star, but as it shines in its own constellation.

Finally, when I reach the last psalm, it is my firm conviction that I shall find no truer closing words for myself than those of Bishop Horne, which I take liberty here to quote, using them as if they were my own, since they admirably express my present feelings and past experiences: --

"And now, could the author flatter himself that anyone would take half the pleasure in reading the following exposition which he hath taken in writing it, he would not fear the loss of his labour. The employment detached him from the bustle and hurry of life, the din of politics, and the noise of folly. Vanity and vexation flew for a season, care and disquietude came not near his dwelling. He arose fresh as the morning to his task; the silence of the night invited him to pursue it; and he can truly say, that food and rest were not preferred before it. Every psalm improved infinitely upon his acquaintance with it, and no one gave him uneasiness but the last; for then he grieved that his work was done. Happier hours than those which have been spent on these meditations on the songs of Zion he never expects to see in this world. Very pleasantly did they pass, and they moved smoothly and swiftly along; for when thus engaged, he counted no time. The meditations are gone, but have left a relish and a fragrance upon the mind, and the remembrance of them is sweet."


I am,

Thine to serve,

for Christ's sake,

C.H. Spurgeon.

WESTWOOD, September, 1882.


Title. There is no title to this Psalm, neither is any author's name mentioned. It is THE LONGEST PSALM, and this is a sufficiently distinctive name for it. It equals in bulk twenty-two psalms of the average length of the Songs of Degrees. Nor is it long only; for it equally excels in breadth of thought, depth of meaning, and height of fervour. It is like the celestial city which lieth four square, and the height and the breadth of it are equal. Many superficial readers have imagined that it harps upon one string, and abounds in pious repetitions and redundancies; but this arises from the shallowness of the reader's own mind: those who have studied this divine hymn, and carefully noted each line of it, are amazed at the variety and profundity of the thought. Using only a few words, the writer has produced permutations and combinations of meaning which display his holy familiarity with his subject, and the sanctified ingenuity of his mind. He never repeats himself; for if the same sentiment recurs it is placed in a fresh connection, and so exhibits another interesting shade of meaning. The more one studies it the fresher it becomes. As those who drink the Nile water like it better every time they take a draught, so does this Psalm become the more full and fascinating the oftener you turn to it. It contains no idle word; the grapes of this cluster are almost to bursting full with the new wine of the kingdom. The more you look into this mirror of a gracious heart the more you will see in it. Placid on the surface as the sea of glass before the eternal throne, it yet contains within its depths an ocean of fire, and those who devoutly gaze into it shall not only see the brightness, but feel the glow of the sacred flame. It is loaded with holy sense, and is as weighty as it is bulky. Again and again have we cried while studying it, "Oh the depths!" Yet these depths are hidden beneath an apparent simplicity, as Augustine has well and wisely said, and this makes the exposition all the more difficult. Its obscurity is hidden beneath a veil of light, and hence only those discover it who are in thorough earnest, not only to look on the word, but, like the angels, to look into it.

The Psalm is alphabetical. Eight stanzas commence with one letter, and then another eight with the next letter, and so the whole Psalm proceeds by octonaries quite through the twenty-two letters of the Hebrew alphabet. Besides which, there are multitudes of appositions of sense, and others of those structural formalities with which the oriental mind is pleased, -- formalities very similar to those in which our older poets indulged. The Holy Spirit thus deigned to speak to men in forms which were attractive to the attention and helpful to the memory. He is often plain or elegant in his manner, but he does not disdain to be quaint or formal if thereby his design of instruction can be the more surely reached. He does not despise even contracted and artificial modes of speech, if by their use he can fix his teaching upon the mind. Isaac Taylor has worthily set forth the lesson of this fact: -- "In the strictest sense this composition is conditioned; nevertheless in the highest sense is it an utterance of spiritual life; and in thus finding these seemingly opposed elements, intimated commingled as they are throughout this Psalm, a lesson full of meaning is silently conveyed lo those who shall receive it -- that the conveyance of the things of God to the human spirit is in no way damaged or impeded, much less is it deflected or ciliated by its subjugation to loose modes of utterance which most of all bespeak their adaptation to the infancy and the childlike capacity of the recipient."

AUTHOR. The fashion among modern writers is, as far as possible, to take ever? Psalm from David. As the critics of this school are usually unsound in doctrine and unspiritual in tone, we gravitate in the opposite direction, from a natural suspicion of everything which comes from so unsatisfactory a quarter. We believe that David wrote this Psalm. It is Davidic in tone and expression, and it tallies with David's experience in many interesting points. In our youth our teacher called it "David's pocket book", and we incline to the opinion then expressed that here we have the royal diary written at various times throughout a long life. No, we cannot give up this Psalm to the enemy. "This is David's spoil". After long reading an author one gets to know his style, and a measure of discernment is acquired by which his composition is detected even if his name be concealed; we feel a kind of critical certainty that the hand of David is in this thing, yea, that it is altogether his own.

Subject. The one theme is the word of the Lord. The Psalmist sets his subject in many lights, and treats of it in divers ways, but he seldom omits to mention the word of the Lord in each verse under some one or other of the many names by which he knows it; and even if the name be not there, the subject is still heartily pursued in every stanza. He who wrote this wonderful song was saturated with those books of Scripture which he possessed. Andrew Bonar tells of a simple Christian in a farmhouse who had meditated the Bible through three times. This is precisely what this Psalmist had done, -- he had gone past reading into meditation. Like Luther, David had shaken every fruit tree in God's garden, and gathered golden fruit therefrom. "The most," says Martin Boos, "read their Bibles like cows that stand in the thick grass, and trample under their feet the finest flowers and herbs." It is to be feared that we too often do the like. This is a miserable way of treating the pages of inspiration. May the Lord prevent us from repeating that sin while reading this priceless Psalm.

There is an evident growth in the subject matter. The earlier verses are of such a character as to lend themselves to the hypothesis that the author was a young man, while many of the later passages could only have suggested themselves to age and wisdom. In every portion, however, it is the fruit of deep experience, careful observation, and earnest meditation. If David did not write in there must have lived another believer of exactly the same order of mind as David, and he must have addicted himself to Psalmody with equal ardour, and have been an equally hearty lover of Holy Writ.

Our best improvement of this sacred composition will come through getting our minds into intense sympathy with its subject. In order to this, we might do well to commit it to memory. Philip Henry's daughter wrote in her diary, "I have of late taken some pains to learn by heart Psalm 119, and have made some progress therein." She was a sensible, godly woman. Having done this, we should consider the fulness, certainty, clearness, and sweetness of the word of God, since by such reflections we are likely to be stirred up to a warm affection for it. What favoured beings are those to whom the Eternal God has written a letter in his own hand and style. What ardour of devotion, what diligence of composition can produce a worthy eulogium for the divine testimonies? If ever one such has fallen from the pen of man it is this 119th Psalm, which might well be called the holy soul's soliloquy before an open Bible.

This sacred ode is a little Bible, the Scriptures condensed, a mass of Bibline, Holy Writ rewritten in holy emotions and actions. Blessed are they who can read and understand these saintly aphorisms; they shall find golden apples in this true Hesperides, and come to reckon that this Psalm, like the whole Scripture which it praises, is a pearl island, or, better still, a garden of sweet flowers.


Eulogium upon the whole Psalm. -- This Psalm shines and shows itself among the rest,

Velut inter ignes
Luna minores. {1}

a star in the firmament of the Psalms, of the first and greatest magnitude. This will readily appear if you consider either the manner it is composed in, or the matter it is composed of. The manner it is composed in is very elegant. The matter it is composed of is very excellent.

  1. The manner it is composed in is very elegant; full of art, rule, method theological matter in a logical manner, a spiritual alphabet framed and formed according to the Hebrew alphabet.
  2. The matter it is composed of is very excellent; full of rare sublimities, deep mysteries, gracious activities, yea, glorious ecstasies. The Psalm is made up of three things, --
    1. prayers,
    2. praises,
    3. protestations. Prayers to God; praises of God; protestations unto God. Rev. W. Simmons, in a sermon in the "Morning Exercises", 1661.

Eulogium. This Psalm is called the Alphabet of Divine Love, the Paradise of all the Doctrines, the Storehouse of the Holy Spirit, the School of Truth, also the deep mystery of the Scriptures, where the whole moral discipline of all the virtues shines brightly. And as all moral instruction is delightsome, therefore this Psalm, because excelling in this kind of instruction, should be called delightsome, inasmuch as it surpasses the rest. The other Psalms, truly, as lesser stars shine somewhat; but this burns with the meridian heat of its full brightness, and is wholly resplendent With moral loveliness. Johannes Paulus Palanterius, 1600.

Eulogium. In our German version it has the appropriate inscription, "The Christian's golden A B C of the praise, love, power, and use of the Word of God." Franz Delitzsch, 1871.

Eulogium. It is recorded of the celebrated St. Augustine, who among his voluminous works left a Comment on the Book of Psalms, that he delayed to comment on this one till he had finished the whole Psalter; and then yielded only to the long and vehement urgency of his friends, "because", he says, "as often as I essayed to think thereon, it always exceeded the powers of my intent thought and the utmost grasp of my faculties". While one ancient father {2} entitles this Psalm "the perfection of teaching and instruction"; another {3} says that "it applies an all containing medicine to the varied spiritual diseases of men -- sufficing to perfect those who long for perfect virtue, to rouse the slothful, to refresh the dispirited, and to set in order the relaxed"; to which might be added many like testimonies of ancient and modern commentators on it. William De Burgh, 1860.

Eulogium. In proportion as this Psalm seemeth more open, so much the more deep doth it appear to me; so that I cannot show how deep it is. For in others, which are understood with difficulty, although the sense lies hid in obscurity yet the obscurity itself appeareth; but in this, not even this is the case; since it is superficially such, that it seemeth not to need an expositor, but only a reader and listener. Augustine, 354-480.

Eulogium. In Matthew Henry's "Account of the Life and Death of his father, Philip Henry," he says: "Once, pressing the study of the Scriptures, he advised us to take a verse of this Psalm every morning to meditate upon, and so go over the Psalm twice in the year; and that, saith he, will bring you to be in love with all the rest of the Scriptures." He often said, "All grace grows as love to the word of God grows."

{1} And like the moon, the feebler fires among, "Conspicuous shines." -- Horace.

{2} St. Hilary.

{3} Theodoret.

Eulogium. It is strange that of all the pieces of the Bible which my mother taught me, that which cost me most to learn, and which was to my child's mind most repulsive -- the 119th Psalm -- has now become of all the most precious to me in its overflowing and glorious passion of love for the law of God. John Ruskin, in "Fors Clavigera".

Eulogium. This Psalm is a prolonged meditation upon the excellence of the word of God, upon its effects, and the strength and happiness which it gives to a man in every position. These reflections are interspersed with petitions, in which the Psalmist, deeply feeling his natural infirmity, implores the help of God for assistance to walk in the way mapped out for him in the divine oracles. In order to be able to understand and to enjoy this remarkable Psalm, and that we may not be repelled by its length and by its repetitions, we must have had, in some measure at least, the same experiences as its author, and, like him, have learned to love and practise the sacred word. Moreover, this Psalm is in some sort a touchstone for the spiritual life of those who read it. The sentiments expressed in it perfectly harmonise with what the historical books and other Psalms teach concerning David's obedience and his zeal for God's glory. There are, however, within it words which breathe so elevated a piety, that they can have their full sense and perfect truthfulness only in the mouth of Him of whom the prophet king was the type. From the French of Armand de Mestral, 1856.

Eulogium. The 119th Psalm has been spoken of by a most distinguished living rationalistic critic (Professor Reuss) as "not poetry at all, but simply a litany -- a species of chaplet." Such does not seem to be the opinion of the angels of God, and of the redeemed spirits, when that very poem supplies With the language of praise -- the paean of victory, "Just and true are thy ways" (Revelation 15:3); the cry of the angel of the waters, "Thou art righteous, O Lord!" (Revelation 16:5); the voice of much people in heaven, "True and righteous are his judgments" (Revelation 19:2); what is this but the exclamation of him, whoever he may have been, who wrote the Psalm -- "Righteous art thou, O Lord, and upright are thy judgments" (Psalms 119:137). William Alexander, in "The Quiver", 1880.

Incident. In the midst of a London season; in the stir and turmoil of a political crisis, 1819; William Wilberforce writes in his Diary -- "Walked from Hyde Park Corner repeating the 119th Psalm in great comfort". William Alexander, in "The Witness of the Psalms". 1877.

Incident. George Wishart, the chaplain and biographer of "the great Marquis of Montrose," as he was called, would have shared the fate of his illustrious patron but for the following singular expedient. When upon the scaffold, he availed himself of the custom of the times, which permitted the condemned to choose a Psalm to be sung. He selected the 119th Psalm, and before two thirds of the Psalm had been sung, a pardon arrived, and his life was preserved. It may not be out of place to add that the George Wishart, Bishop of Edinburgh, above referred to, has been too often confounded with the godly martyr of the same name who lived and died a century previously. We only mention the incident because it has often been quoted as a singular instance of the providential escape of a saintly personage; whereas it was the very ingenious device of a person who, according to Woodrow, was more renowned for shrewdness than for sanctity. The length of this Psalm was sagaciously employed as the means of gaining time, and, happily, the expedient succeeded. C.H.S.

Alphabetical Arrangement. It is observed that the 119th Psalm is disposed according to the letters of the Hebrew alphabet, perhaps to intimate that children, when they begin to learn their alphabet, should learn that Psalm. Nathanael Hardy, 1618-1670.

Alphabetical Arrangement. True it is that the verses indeed begin not either with the English or yet the Latin letters, but with the Hebrew, wherein David made and wrote this Psalm. The will and purpose of the Holy Ghost is to make us to feel and understand that the doctrine herein contained is not only set down for great clerks which have gone to school for ten or twenty years; but also for the most simple; to the end none should pretend any excuse of ignorance. From Calvin's Twenty-two Sermons upon the 119th Psalm, 1580.

Alphabetical Arrangement. There may be something more than fancy in the remark, that Christ's name, "the Alpha and Omega" -- equivalent to declaring him all that which every letter of the alphabet could express -- may have had a reference to the peculiarity of this Psalm, -- a Psalm in which (with the exception of Psalms 119:84,122, exceptions that make the rule more marked) every verse speaks of God's revelation of himself to man. Andrew A. Bonar, 1859.

Alphabetical Arrangement: Origen says it is alphabetical because it contains the elements or principles of all knowledge and wisdom; and that it repeats each letter eight times, because eight is the number of perfection.

Alphabetical Arrangement. That the unlearned reader may understand what is meant by the Psalm being alphabetical, we append the following specimen upon the section Aleph:

A blessing is on them that are undefiled in the way
and walk in the law of Jehovah;
A blessing is on them that keep his testimonies,
and seek him with their whole heart;
Also on them that do no wickedness,
but walk in his ways.
A law hast thou given unto us,
that we should diligently keep thy commandments.
Ah! Lord, that my ways were made so direct
that I might keep thy statutes!
And then shall I not be confounded.
While I have respect unto all thy commandments.
As for me, I will thank thee with an unfeigned heart,
when I shall have learned thy righteous judgments.
An eye will I have unto thy ceremonies,
O forsake me not utterly. --From "The Psalms Chronologically Arranged By Four Friends". 1867.

Psalms :


Copyright Statement
These files are public domain and are a derivative of an electronic edition that is available on the Christian Classics Ethereal Library Website.

Bibliography Information
Spurgeon, Charles H. "Commentary on Psalms 119:1". "C.H. Spurgeons's The Treasury of David". <>. 1865-1885.


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